ACMI Stories & Ideas Folgen

CRAFT Meet the key people behind hit ABC shows that have delivered real world impact, and find out what’s next in 2020. Commissioning distinctive TV that has a real-world impact on Australians and their communities is a major goal of ABC’s Factual and Documentary teams. The ABC has been leading the way with this form of programming through acclaimed series such as Old People’s Home for 4 Year Old’s, Employable Me, Don’t Stop The Music, Love On The Spectrum and War On Waste. In 2020, the ABC is presenting two major climate-themed series with Fight for Planet A: The Climate Challenge exploring how we can all help reduce both our individual and collective carbon emissions and Big Weather (and how to survive it) offering insight and practical advice on how to survive and thrive in a time of increasing extreme weather events. We will also see Shaun Micallef return to our screens as he delves into the nation’s relationship with alcohol, with Shaun Micallef’s On The Sauce. All of these shows demonstrate the importance of content that not only informs and entertains but has the power to connect the nation and drive real-world awareness and change. In this session you will hear insights from key people on these shows, both in front of and behind the camera as well as the ABC’s Impact Producer. All have been pivotal in developing and delivering TV with a social purpose that resonates with audiences across all platforms. This session features Craig Reucassel, Debbie Cuell, Karina Holden and Teri Calder and will be moderated by Stephen Oliver.

CRAFT Leading factual producers reveal how they tackled projects of scale … and scale doesn’t always mean big budget. Leading factual producers discuss and demystify the oft-used term ‘scale’. From giant crews, fixed rigs and far-flung locations, to leading a tiny team shooting across a long timeframe – scale calls for precise decision making in the development process and in designing your production model. What are the different production approaches that can be scaled to get the most out of the story and budget? Do you go big, long, lean, broad or deep to best access your story? How can you invert your production approach on the same story material? Debbie Cuell, Jocelyn Little and Ben Ulm’s careers embody the full spectrum of scale, from big blue-chip to lean ob-doc. They will dissect making recent and upcoming series Ed Stafford: First Man Out, Old People’s Home for 4 Year-Olds, One Born Every Minute, Who Gets to Stay in Australia and Wild City. Moderator Sarah Thornton (Network Ten) springboards this conversation from a Network commissioning perspective. Scale used to mean big budget but what does it mean in the current factual market?

CRAFT Director Jen Peedom discusses her story-focused approach to documentary writing, from pre-production through to editing. What does it mean to ‘write’ a documentary? For BAFTA-nominated filmmaker Jennifer Peedom (Sherpa, Mountain), writing — and re-writing — defines each step of the filmmaking process. Emphasising the difference between covering an issue and telling an emotional story, this session will explore lessons borrowed from drama storytelling in shaping Jen’s compelling on-screen characters and journeys: encompassing thoughtful planning in research and pre-production, course-correction through principal shooting and interviews, and an openness to challenging feedback throughout editing. Further points of discussion for this session include the differences between writing historical and unfolding stories, writing observational documentaries (when the outcome of a situation is unknown at the outset), and incorporating additional editorial tools (such as graphics and cards) at the editing stage for clarity.