Re:sound Folgen

This hour redefinition, reflection... and the new you. The Understudy By Sophie Townsend with Mira Burt-Wintonick and Cristal Duhaime for Love Me (CBC, 2016) Sophie Townsend has been a widow for a year and a half. She is too busy taking care of her children to entertain the idea of dating, until a man compliments her shoes. Katie V Katie By Nancy Lopez for Snap Judgement (2017) When Katie Crouch learned there was another Katie Crouch who lived in the same city and apparently had the same professional interests as her she thought, huh, what else do we have in common? She would soon find out. Not All Who Wander Are Lost…But Some Definitely Are By James Spring for This American Life (2014) A car is a classic place to realize: "oh, I’m lost." But sometimes the realization of being lost comes first, and the car is the solution. Drive, keep driving, get un-lost. James Spring has this story about a road trip as life plan. This episode of Re:sound was produced by Dennis Funk Hosted on Acast. See acast.com/privacy for more information.

This hour, “I do” or “do I?” the calculus for marriage, for better and for worse.Majd’s Diary: Two Years in the Life of a Saudi Girl by Joe Richman and Sarah Kramer (Radio Diaries, 2016) A few years ago, Radio diaries teamed up with Cowbird, a public storytelling website and held a competition to find a fresh voice. They discovered Majd Abdulghani, a muslim teenager in Riyadh, Saudi Arabia, a young woman under pressure from her parents to consider an arranged marriage.How Will I Know? by Andrea Silenzi (Why Oh Why, 2016) Andrea Silenzi, host of the relationship podcast Why Oh Why, looks back at the role the show has played in her personal life. Travel through the past three years as Andrea talks to her editor, Hillary Frank, about what’s going on in her relationship.Choose Responsibly by Dennis Funk (Re:sound debut, 2017) Choosing a partner is just a game, or is it?The Wedding Song by Yenting Hsu (ARTE Radio, 2011) At the time of her marriage, a Paiwan princess bids farewell to her family and her youth. So the wedding song of this indigenous Tawainese people is mixed with tears. Recorded in the village of Liang-Shan, in the Ping-Tung region, south of the island.This episode of Re:sound was produced by Dennis Funk Hosted on Acast. See acast.com/privacy for more information.

This hour we’re coming to you from inside the Third Coast Institute of Sound — a fictional museum we’ve dreamed up where all of the exhibits and artifacts are dedicated to things that make sound and noise.The Cat Piano (on loan from The Museum of Imaginary Musical Instruments) By Victoria Ferran with Sound Engineer Chris O’Shaughnessy for Soundproof (ABC RN, 2016) The history of the cat piano goes back centuries and raises unanswered (and perhaps unanswerable) questions about the relationship between music and noise, human and animal.Vox Ex Machina By Delaney Hall and Roman Mars for 99% Invisible In 1939, an astonishing new machine debuted at the New York World’s Fair. An operator sat at the organ-like device’s curved wooden console with a giant speaker towering behind her. She faced an expectant audience, placed her hands on a keyboard in front of her, and then played something the world had never really heard before — a synthesized voice.Mr Pumpernickle's Musical Gas (on loan from The Museum of Imaginary Musical Instruments) By Victoria Ferran with Sound Engineer Chris O’Shaughnessy for Soundproof (ABC RN, 2016) In the 1830s, the French were imagining a delivery method for music long before the radio was invented, all thanks to gaz musical .Roald Dahl's Sound Machine (on loan from The Museum of Imaginary Musical Instruments) By Victoria Ferran with Sound Engineer Chris O’Shaughnessy for Soundproof (ABC RN, 2016) Roald Dahl's short but slightly disturbing story tells of a man named Klausner who invents a machine that can hear sound the human ear cannot hear.Gone With A Trace: The story of lost items on the US/Mexico border By Joan Webber for The Current (CBC, 2015) Every year, thousands of people try to secretly cross into America by foot. It is a brutal, daunting trip. Some make it, some are caught and sent back, and still others die in the effort. And along the way the landscape is littered with objects left behind, testaments to the struggle people endure trying to get here. Photographer Richard Misrach and composer Guillermo Galindo have been collecting these objects left by migrants and transforming them into musical instruments, in the hopes of giving voice to statistics.Khlebnikov's Radio of The Future (on loan from The Museum of Imaginary Musical Instruments) By Victoria Ferran with Sound Engineer Chris O’Shaughnessy for Soundproof (ABC RN, 2016) ‘The Radio of the Future—the central tree of our consciousness—will inaugurate new ways to cope with our endless undertakings and will unite all mankind.’ — Velimir Khlebnikov, 1921Fluctuations [web and podcast only] By Phil Smith for Short Cuts (Falling Tree Productions & BBC Radio 4, 2013) At night, Phil pines for the sound his toilet used to make.This episode of Re:sound was produced by Dennis Funk. Hosted on Acast. See acast.com/privacy for more information.