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The trade in opium formed a backdrop to Amitav Ghosh’s best-selling novels, The Ibis Trilogy. In his latest work of non-fiction, Smoke and Ashes, he investigates the impact of that trade on Britain, India and China, and follows the money that was made by some of America’s most powerful and well-respected families. He reveals how the poppy plant enabled the financial survival of Empire and proved catastrophic for Indian farmers and Chinese users. In the 21st century Afghanistan became the biggest grower of poppies, producing more than 80% of the world's opium. The former soldier, Richard Brittan, set up the company Alcis, to provide an accurate picture of what’s going on on the ground in Afghanistan by using satellite imagery. As well as tracking the workings of the drugs trade, he explains the impact of the Taliban ban on poppy cultivation in 2023.Professor Fiona Measham, Chair in Criminology at Liverpool University, explains that one of the effects of the disruption to the opium trade has been a large increase in the number of synthetic opiates – fentanyl and nitazenes – filling the vacuum. China has become the centre for the wider development of synthetic drugs that emulate plant-based street drugs, but are much stronger and potentially lethal. The charity The Loop, set up by Measham, is instrumental in checking drugs to better understand what is being sold on the streets.Producer: Katy Hickman

The history of glass-making dates back to at least 3,600 years ago in Mesopotamia, and both manufactured and naturally-occurring glass have been used in a wide variety of objects across the world. The curator and director of the Stained Glass Museum in Ely, Jasmine Allen, looks back at its long and varied history, highlighting its practical and artistic qualities. In the last century or so its industrial heartlands in Britain have been in the Black Country and the north east of England. John Parker, Professor of Glass Science at the University of Sheffield and curator of the Turner Museum of Glass, is an expert on the history of glass in this region, and the impact of mechanisation at the end of the 1800s.A new exhibition, The Glass Heart, at Two Temple Place in London (until 21st April) showcases industrial glass making as well as contemporary artworks. The artist and glassblower Ayako Tani finds inspiration in traditional calligraphy for her glass art, as well as the more recent development of glass ships in bottles from the 1970s.Glass can be moulded into all shapes and sizes and developed with different strengths, but the materials scientist Professor Claire Corkhill from the University of Bristol says it’s still quite a difficult and mysterious material. Her research is looking into innovative ways to use glass, and exploring whether it could even be the answer to the growing dilemma of managing Britain’s radioactive waste.Producer: Katy Hickman

The legal framework to prosecute war crimes and prohibit the use of ‘aggressive war’ came out of the international war crimes tribunals after WWII – in Germany and Japan. In Judgement at Tokyo the academic and writer Gary J. Bass retells the dramatic courtroom battles as Japan’s militaristic leaders were held accountable for their crimes. With prosecutors and judges drawn from eleven different Allied countries tensions flared, and justice in the Asia Pacific played out amidst the start of the Cold War, China's descent into civil war, and the end of the European empires.The political philosopher Hannah Arendt witnessed the end of the trial of the Nazi Adolf Eichmann in Jerusalem in 1963, coining the phrase ‘the banality of evil’ – a term that is often mistakenly believed to mean that evil had become ordinary. In We Are Free To Change The World, the writer Lyndsey Stonebridge explores Arendt’s writings on power and terror, love and justice, and their relevance in today’s uncertain times.As the world grows increasingly turbulent war crimes justice is needed more than ever, but it appears to be failing. Since the International Criminal Court in the Netherlands opened in 2002 it has jailed just five war criminals. The journalist and war reporter Chris Stephen looks back at its history and examines alternative options in The Future of War Crimes Justice.Producer: Katy Hickman