Bullseye with Jesse Thorn Folgen

Award-winning actor Antonio Banderas is probably one of the most versatile, charming and handsome actors out there today. You've probably seen him in "Zorro," "Philadelphia," "Desperado," or maybe heard him in "Shrek" – he played the voice of Puss in Boots. His latest project is "The Hitman's Wife's Bodyguard," which comes out in theaters this week. When we last spoke with him, he had just starred in the Pedro Almodóvar directed film "Pain and Glory." We revisit our 2019 conversation with the extraordinary actor to discuss "Pain and Glory." Plus Banderas talks to Bullseye about his childhood in Spain, connecting with people through pain, and reuniting with director Pedro Almodóvar. He'll also talk about how he learned the lines to "Mambo Kings," before he became fluent in English.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Content warning: This interview contains some explicit language and graphic, frank talk about sex that some listeners might be sensitive to. Ryan O'Connell is the creator and star of the Netflix show Special. It's a semi-autobiographical sitcom about Ryan's own life – his experience as a gay man, and coming to terms with his identity as a disabled person. Ryan has cerebral palsy. It's a congenital disorder that can affect someone's movement, muscle tone, or posture. For Ryan, that means it manifests mainly as a limp. Season one of the show tackles Ryan coming to terms with his disability. In the latest season Ryan learns to become more accepting of himself. The show's depiction of disability on screen is groundbreaking. It shows the intersection of disability and sexuality in a way that is rarely ever seen on screen. And it does it in a way that is funny, lighthearted and relatable. Public radio veteran Ray Suarez interviews Ryan on the latest episode of Bullseye.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

City of Ghosts, the children's show on Netflix, is a bit hard to explain. It's animated in 3-D, and the characters — mostly children — look kind of like Wii avatars. It's set in Los Angeles, and the backgrounds are real places that thousands of people encounter here every day: Koreatown subway stations, Venice skate parks, East LA restaurants and so on. It's framed like a documentary, hosted by a group of kids called the "Ghost Club" who get reports of ghosts in the city, go to find them and, once they do, sit down to interview them. And despite the name, City of Ghosts isn't scary or alienating — it's the opposite. It's warm, inviting and illuminating, and it gives viewers of all ages a better idea of the world around us without sacrificing our capacity for imagination. It's a difficult balance, but the show's creator, writer and animator Elizabeth Ito, does it beautifully. She joins Bullseye to talk about making children's TV that adults can enjoy, capturing the feeling of her hometown of Los Angeles and the time she saw a ghost.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy